Sylvia Caiuby Novaes (Org.). Entre arte e ciência: a fotografia na antropologia. São Paulo: Edusp, 2015, 224p.

Book Review

Authors

DOI:

https://doi.org/10.11606/issn.2525-3123.gis.2019.162374

Abstract

Since the first half of the nineteenth century, the histories of anthropology and photography had intertwined chapters, showing a proximity relation along their trajectories. Currently, considering the saturated universe of the image world, referred by many authors as “post-photographic”, as a kind of confidence between photography and anthropology, which subscribes it as a scenery of critical reflections on “the uses” and “the thought” of photographic images in their anthropological perspectives. This scenery also produces a range of problematizations over a knowledge that belongs to the images, raising questions such as “what is the place of images?” and “what do we want from them?”.

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Author Biography

  • Fabiana Bruno, Universidade Estadual de Campinas

    Fabiana Bruno is PhD in Multimeios (IA-Unicamp) and a researcher accredited by the Department of Anthropology-IFCH of Unicamp, institution where she completed her postdoctoral degree in Social Anthropology. Co-founder and researcher of LA’GRIMA IFCH/Unicamp (Anthropological Laboratory of Image and Graphic). Capes Award for Best Thesis in the area of Applied Social Sciences (2010) with the study Photobiography: For a Methodology of Aesthetics in Anthropology, oriented by Prof. Dr. Etienne Samain. Expertise in curatorial actions and organization of exhibitions and photo books in partnership with
    Ateliê Fotô and Fotô Editorial, in São Paulo. E-mail: fabybruno@uol.com.br.

References

Bateson, Gregory e Margaret Mead. 1942. Balinese Character: A Photografic Analysis. New York: New York Academy of Sciences.

Caiuby Novaes, Sylvia (org.). 2015. Entre arte e ciência: a fotografia na antropologia. São Paulo: Edusp.

Caiuby Novaes, Sylvia. 1999. “Lévi-Strauss, razão e sensibilidade” In Revista de Antropologia 42, 1-2. São Paulo.

Didi-Huberman, Georges. 2011. A sobrevivência dos vaga-lumes. Belo Horizonte: Editora UFMG.

Fontcuberta, Joan. 2016. La furia de las imágenes: Notas sobre la postfotografía. Barcelona: Galaxia Gutenberg.

Hupsel, Rafael. 2015. “Ayahuasca e visualidade: a expressão do sagrado na narrativa fotográfica”. In Caiuby Novaes, Sylvia (org.). Entre arte e ciência: a fotografia na antropologia. São Paulo: Edusp. pp.143-160.

Lévi-Strauss, Claude. 1996. Tristes trópicos. São Paulo: Companhia das Letras.

Lévi-Strauss, Claude. 1994. Saudades do Brasil. São Paulo: Companhia das Letras.

Rancière, Jacques. 2009. A partilha do sensível: estética e política. São Paulo: Editora 34.

Roche, Denis. 1982. La desaparition des lucioles: réflexions sur l’acte photographique. Paris: Éditions de L’Étoile.

Samain, Etienne. 1995. “Ver e dizer na tradição etnográfica. Bronislaw Malinowski e a fotografia”. Horizontes antropológicos, ano 1, n. 2, p. 23-60, jul./set.

Tacca, Fernando de. 2015. “Fotografia: intertextualidades entre ciências, arte e antropologia”. In Caiuby Novaes,

Sylvia (org.). Entre arte e ciência: a fotografia na antropologia. São Paulo: Edusp. pp.197-214.

Villela, Alice. 2015. “Quando a imagem é a pessoa ou a fotografia como objeto patogênico”. In Caiuby Novaes, Sylvia (org.). Entre arte e ciência: a fotografia na antropologia. São Paulo: Edusp. pp.109-121.

Published

2019-10-24

Issue

Section

T.I.R. - Translations, Interviews and Reviews

How to Cite

Bruno, Fabiana. 2019. “Sylvia Caiuby Novaes (Org.). Entre Arte E Ciência: A Fotografia Na Antropologia. São Paulo: Edusp, 2015, 224p.: Book Review”. GIS - Gesture, Image and Sound - Anthropology Journal 4 (1): 407-15. https://doi.org/10.11606/issn.2525-3123.gis.2019.162374.