[1]
James, P.H. 2000. The Playwright’s Response to the Colonial Process: Innovatory Dramatic Structure In Brian Friel’s The Freedom of the City (1973) and David Rudkin’s The Saxon Shore (1986). ABEI Journal. 2, 1 (Jun. 2000), 63–69. DOI:https://doi.org/10.11606/issn.2595-8127.v2i1p63-69.