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Vol. 18 No. 35 (2024)

View Vol. 18 No. 35 (2024)

Published: 2024-09-27

Full Issue

PDF (Portuguese)

Editorial

Crítica da Narrativa Seriada

Marcio Serelle, Rosana de Lima Soares

6-9
- PDF (Portuguese)

Dossier

Critical reception and audience in Sound and Fury: questions about theater, streaming and television

Marcelo de Lima Fernandes, Luiz Antonio Mousinho Magalhães

10-36
- PDF (Portuguese)
Evaluation of fans on audiovisual portals: a semi-specialized critique?

Clarice Greco, Enoe Lopes Pontes

37-58
- PDF (Portuguese)
Between pages and screens: the transformation of the contempotary critique of telenovela in Brazil

Mariana Marques de Lima

59-82
- PDF (Portuguese)
The critical gap in serialized science fiction: A cultural analysis of Westworld and human android hybridization

Raquel Lobão

83-100
- PDF (Portuguese)
Living la dolce vita: a critical analysis of the construction of the leading role in the Netflix series Ripley

Claudinei Lopes Junior, Nilo Sanchez

101-134
- PDF (Portuguese)
The Bridgerton world: identity narratives in streaming

Tatiana Siciliano, Bruna Aucar, Valmir Moratelli

135-154
- PDF (Portuguese)
Faith on Screen: representation in Brazilian serialized fiction

Francisco Malta

155-169
- PDF (Portuguese)
The elaborate seduction of nostalgia: revisiting the “golden past” in Mad Men

Giancarlo Casellato Gozzi

170-189
- PDF (Portuguese)

Articles

Two screens, two times: the symmetry of parallel editing in the racialization of cinematographic territory in Haunted Minds (2016)

Luís Henrique Marques Ribeiro

190-208
- PDF (Portuguese)
Emissaries from other worlds: science, mythology and cosmic horror in the documentary Fireball

Jamer Guterres de Mello, Lucio Reis Filho, Laura Loguercio Cánepa

209-229
- PDF (Portuguese)